
Cloud Playhouse by Dietrich Wegner (via bsqv)

We (some friends) move to Europe for a year. Where? I don't know, maybe someplace in Spain, by the water. The sun sets. The sun rises. Mostly, though, the sun sets because we're asleep when the sun rises. In the morning, as the sun is rising and we sleep, the mesh curtain over the bedroom window (or door to a balcony!) billows because there is a breeze from the water and of course the window is always open because of the fresh sea air. Everything is labeled in Spanish. In the evening, after bongo drums and campfires, we walk back home along the shore, sandels in hand and hair in messy ponytails or unevenly flattened. Hair that we'll find is full of sand and fire ashes and clumsy singing when we finally take a shower the next morning. When we first move there, we're some kind of tripod; we are fluent in the same language and we giggle about things in ways that tripods do. That second week, our rooms still bare and luggage spitting out clothes, we go skinny-dipping at night. We scream about our rum-tinged liberation. But after a couple months (of writing in coffeeshops and painting with easels set up by the water and picking wildflowers for hair accessories), we start to become more independent of one another. We're not drifting apart, we just keep some things to ourselves. Everything changes just a little bit and then nothing is really the same. Not in a bad way, but in a quiet way. Because the writing is so organic and the art is sensual and the wildflowers turn into crowns. We're best friends but we're bodies, too. Sometimes we still walk back home along the shore together, but now we're more boisterous. 'We belong here, this is ours,' we think. So we throw a half-empty bottle into the sea to prove it. We stumble over our feet and lean on each other for balance. The sun rises and sets and rises and the curtain billows and the tub fills up with sand every shower. We never make our beds.
If my wanderlust were as strong as it was earlier this year (or last summer!), looking at Michael Hughes' "Souvenirs" flickr set would most likely make me teary. But right now it just leaves me in awe. He uses little souvenirs (postcards, pencil cases, models, magnets, mugs, etc.) to displace actual buildings or scenery in all these amazing foreign places. Up above is this Eiffel Tower coloured model from which the lowest part fell off -- incredible. One more (and then you should go check out the album for yourself):
the Piazza in Sienna, Italy